Gavinies, Pierre
About 1726-1800
Eminent French violinist, called by Viotti "the
French Tartini." Was born at Bordeaux, the son of a violinmaker. He was
chiefly self-taught, but learned much from hearing the great Italian violinists
on their tours through France. He made his debut in 1741 at one of the Concerts
Spirituels, and settled in Paris as a teacher and concert player; in the latter
capacity he confirmed the highly favorable impression made at his first
appearance, and was regarded by contemporaries as one of the great violinists.
He was director of the Concert Spiritual from its reorganization by Gossec in
1773, and on the foundation of the Paris Conservatory was appointed professor
of violin, and here formed many noted pupils. He is regarded in France as the
founder of the French school of violin-playing. While by no means lacking on
the expressive side, his playing displayed great virtuosity, and his compositions,
especially, indicate a greater command of technique than those of Tartini,
although inferior in other respects. Les Vingt-quatres Matinees, twentyfour
studies for violin in all keys, his most noted work, contains difficulties of
execution that are said to be a strain on the possibilities of the violin
itself, though it is asserted that Gavinies, even as an old man, played these
very passages with perfect ease. His other works comprise six concertos and six
sonatas for violin and bass; three sonatas for violin solo; six sonatas for two
violins, the Romance de Gavinies, long popular in France; and a comic opera, Le
Pretendu, performed at the Comedie Italieune, 1760.
A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z
|